Large-format analogue photography/silver gelatin prints / 5 in a series of 18 – landforms in Argentina and Chile.

This work reflects the romantic notions of the pictorial movement in photography. It references the F64 club and the work of Ansel Adams.

The sculptural nature of this geography is heightened by its ambiguous scale within its environmental context, only evidenced by the subtle juxtaposition of nondescript vegetation.

Glaciar Upsala/ Austral Andes, Argentine Patagonia / silver gelatin print 100 × 127 cm. The brittle top layer or 'fracture zone' of the glacier moves as a single piece over the lower, more plastic flow, deforming it under pressure. The terminal moraine, at the base of the glacier, forms from the deposition of glacial material and is left exposed as the glacier retreats.

Stromatolite / Chilean Patagonia / silver gelatin print 150 × 124 cm. Formed by the sedimentary layering of microorganisms. Early microbial stromatolites date back to 2.724 billion years, and recently discovered stromatolites extend back as far as 3.450 billion years.

Tres Cruces / diptych/silver gelatin prints 160 × 404 cm. Landforms situated in the Quebrada de Humahuaca 'cracked mountain range' of the Andes in northern Argentina.

Los Castillos / triptych/silver gelatin prints, 65 x 251 cm. It was created as a result of the tectonic shifts of the oceanic crust of the South American Plate, which drove it upwards and out of the ground. As precipitation is sporadic and accompanied by severe temperature fluctuations, cracking at the rock surfaces at this site is exacerbated. The valley's history is culturally rich, with 10,000 years of inhabitants. It served as a caravan route to the Inca Empire in the 15th Century, a passage from Peru to Argentina and Chile for Spanish imperialists, and the setting for many battles of the Spanish War of Independence. The Rio Grande roars by its base in the winter, and the riverbed, dry in summer, facilitates the whiplashing winds with sandy ammunition to carve fissures into its faces.

La Sophia / triptych/silver gelatin prints 90 × 285cm: Torres del Paine, Chilean Patagonia. Exposed granite contrasts with the remnants of the landform's eroded sedimentary stratum.