This project, an experimental work-in-progress, represents an unofficial public archive based on human actors in grounded networks of participatory art practice. It proposes a collective critique of Big Tech, centralisation strategies, and technological determinism. It deconstructs the affective nature of the hyperconnected image, which colonises ubiquitous screens on networked devices in our pockets, homes, and the urban screens of public spaces. It offers a relational site for collective refusal and a speculative, bottom-up counter-narrative that confronts addictions to convenience, speed and the ludic fix of the stream that drives web 2.0 and 3.0.